A coach tasked with turning his talented, troubled players into pro-ready athletes. Teenagers striving to reach their football dreams. Welcome to Netflixs Last Chance U. “>
Winning on the field is a feat far easier than winning off it in Last Chance U, Netflixs promising first foray into episodic sports documentaries. In its maiden six-episode season (premiering July 29 on the streaming platform), director Greg Whiteley charts the ups and downs experienced by the football team at East Mississippi Community College (EMCC). That unlikely pigskin mecca is located as far off the beaten pass as possible, in tiny Scooba, Mississippi (population 716), where highly touted recruits whove for some reason lost their way to Division I glorybe it run-ins with the law, or poor academic performanceseek a chance to make it (back) to a big-time national football school. For those willing to do what it demands, EMCC is a way station on the road to greater thingsbut as Whiteleys show makes clear, that path is littered with obstacles, the most pressing of which are located within.
Striving for the epic scope of Steve James 1994 non-fiction masterpiece Hoop Dreams, with which it shares a fixation on young men striving to overcome troubled circumstances to make it to the pros, Last Chance U details the 2015 season of the EMCC Lions, who at the time had won three of the previous four community college national championships (including the most recent two), and who came into the new campaign riding a 24-game winning streak. That rsum (plus the fact that nine former players are currently in the NFL) is due to the work of coach Buddy Stephens, a rotund, bearded good ol boy (he has a mounted deer head in his office) with a no-nonsense approach to turning his recruits into both pro-ready athletes and world-ready men. Its a job that, as he confesses in the first episode, requires treating themmany of whom come from rough backgroundswith both kid gloves and tough love. As for how he straddles such a line? I dont know, Buddy confesses.
Buddy is aided in his quest by athletic academic advisor Brittany Wagner, a chipper young woman responsible for making sure Lions members get good enough grades to maintain their academic eligibilitya yeomans task that involves regular office meetings with them (during which they often goof off and stare at their phones), as well as hounding them in the hallways about bringing the proper supplies (pencils, notebooks) to class. Without Brittany, its clear the Lions wouldnt be able to field a squad, and that its studs would never get back to their preferred Division I destinations. And especially in her scenes, Last Chance U provides a stark behind-the-scenes view of college athletic administrators as not only coaches, advisers and mentors, but also as de facto parents-by-way-of-babysitters for their immature charges.
The difficulty of getting cocky, athletically gifted kids to dedicate themselves to school work is the most fascinating element of Last Chance U, which primarily focuses on four would-be stars. Ronald Ollie is a big, gregarious defensive lineman who was raised by various relatives, and whose lack of educational discipline is epitomized by his purchase of new headphones (which he constantly wears in meetings with Brittany) instead of basic necessities at the campus store. His marriage of great on-field talent and horrid classroom habits is also seen in running back DJ Law, who has the skills to be a potential pro superstar, and yet comes with so much baggagea neer-do-well ex-con father; a baby son he cant see while at EMCCthat its little surprise to find him struggling mightily to keep his grades at the mandatory level.
Then there are the Lions two quarterbacks: white local country boy Wyatt Roberts, a traditional pocket-passer whos gotten this far thanks to hard work; and African-American John Franklin III, an athletic freak with an inconsistent (yet powerful) arm and a sturdy ego. Wyatt and Johns battle to be the starter exemplifies the clichd, if ever-relevant, debate over whether its preferable for a team to have a less athletic (usually white) guy who can reliably throw, or a strong, fast (usually black) guy who can run like the wind but cant always be counted on to thread the needle. For Buddy, the choice between Wyatt and John is an ongoing one, and at least in the first two episodes of Last Chance U (which were all that was provided to critics), the coach opts to use both during games, as a means of stoking a QB competition thatto their creditthey each readily embrace.